The Final 50th Anniversary Post: Remembering the Kent State Shootings of May 4, 1970

On this date in the year 2070, someone will be writing about how the Great Coronavirus Pandemic of fifty years earlier changed the world and why we are better off for it in some ways, worse off in others, and how mystifying it is that there are still those lingering issues that haven’t yet been settled. And, isn’t it about time we finished the job and stopped repeating history?

Anniversaries are important to make sure we ask those questions. It’s why, over the past two years, I’ve written posts about the anniversaries of so many events that shaped the world during the time frame of my novel The Fourteenth of September and still resonate today: the Bobby Kennedy Assassination, the 1968 Democratic Convention, the Moratoriums to End the War in Vietnam: October 15, 1969 & November 15, 1969, the First Draft Lottery and the Kent State Shootings.

This will be the last anniversary post on the history behind my novel; the cycle is done. The story takes place roughly between the first Vietnam Draft Lottery and the Kent State Shootings, two seminal events that book-ended a six-month period wherein I’ve always felt the character of my generation was formed, including its early feminism. The novel ends shortly after Kent State when the country fired on its children, the turning point incident in support of the war when the country went too far and knew it.

 
 
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Fifty years sounds so long, but in many ways has gone by so fast. What we haven’t learned in that time frame is legion. Just this past December, the Washington Post published a report, “At War With The Truth,” about the war in Afghanistan, that sounded like the playbook for Vietnam: falsified data to show we were “winning,” admissions that the strategy wasn’t working, and the objective unclear. On the positive side, we learned to treat our vets with respect, to never have another draft, and we keep coming close to electing a woman president. Two steps back, one step forward, another we just can’t seem to get quite right.

We are still so in the thick of this pandemic that, yes, it’s difficult to focus on anything else. But it’s illustrative, on today’s anniversary, to consider how we might try to learn the lessons of how to be the admirable country we consider ourselves to be, the first—or the fifth—or the fiftieth—try instead of so often falling back into the hamster wheel of history.

A high school friend of my vintage found this recently among his late mother's things. He had no idea she'd been a protester."RIGHT ON, Mrs. Gustafson," It worked.

A high school friend of my vintage found this recently among his late mother's things. He had no idea she'd been a protester.

"RIGHT ON, Mrs. Gustafson," It worked.

Following is a post I wrote on this day two years ago, that includes the story of what happened at Kent State University on May 4, 1970, and why it still matters today. In rereading it, I see that we were only thirteen months into the new administration, dealing acutely with school shootings and already hearing about alternative facts and incredible re-interpretations of reality. I asked readers to look ahead and think about what would be on the conscience of the country on this fiftieth-anniversary date to which we should also be saying “No, that’s not who we are.”

The issues have changed, but not the question. How we’re dealing with acceptable percentages of pandemic deaths and knee-jerk 180 turns in policy that impact lives and livelihoods. I ask again. Haven’t we learned how to be better than this. Are we ready again to stop and say, “No, that’s not who we are?”

 
 
The Iconic Kent State Photo

The Iconic Kent State Photo

Recently, while promoting the fall publication of my novel, The Fourteenth of September, which takes place during the pivotal 1969-1970 years of the Vietnam War, I was asked if—of the many iconic moments in American history that happened during that time period— one had impacted me more than any other.

I paused to consider the word iconic... icon — a symbol. No question. It was the Kent State Massacre, a symbol at the time of the total chasm between the government and the youth it was supposed to be protecting: the bridge too far that blew away most of the remaining support for the war, though it’s death throes dragged on another five years. 

 

48 Years and We Still Remember

Every May fourth since 1970 there has been media coverage of the shootings, always featuring the Pulitzer Prize-winning photograph of fourteen-year-old Mary Ann Vecchio with arms outstretched in agony and disbelief, kneeling above the body of twenty-year-old Jeffrey Miller. An iconic image of how we felt. Agony and disbelief. This is America? How had it come to this?

We know the facts: The National Guard fired into a crowd of students protesting the war’s expansion into Cambodia. Sixty-seven rounds over thirteen seconds killing four, wounding nine, permanently paralyzing one. The massive national student strike after. A turning point in how the country viewed the war. It was just too much to kill kids. 

 

Early Alternative Facts

It all began with a lie—and it was bald-faced. Nixon was elected because he said he'd end the war—something his predecessor, Johnson, hadn't been able to do. His Administration said we were winding down. Hard as it may be to believe from the vantage point of today, media was limited. We only heard one side and assumed what we were told was true—though obviously that was disavowed later on many levels, most recently in the Ken Burns documentary The Vietnam War.

But, suddenly, on April 30, 1970, it's announced we just bombed Cambodia. It was earth-shattering. The war was being accelerated, not contained. Of course, there were protests; of course, they were full of anger; of course, those protests would be on a campus where the populations of draft-age men were among the largest. We had just been through the roulette of the Draft Lottery and the news about My Lai. Nerves were raw, the rage was high.  Above all, trust was waning, and this Cambodia lie just wiped it out. How could we believe anything the government told us ever again?

And then, to top it off, unbelievably, students were shot dead at one of those protests. It was the very definition of a word we were just beginning to use to describe what we thought were mind-expanding experiences: surreal. 

 
The Memorial to Jeffrey Miller, Bordering Where He Fell, on the Kent State Campus

The Memorial to Jeffrey Miller, Bordering Where He Fell, on the Kent State Campus

Where Were You When You Heard?

I think many people of my generation can tell you where they were and what they were doing when they first heard about Kent State, just like all the assassinations that punctuated that time—King, the two Kennedys. I remember walking into the Student Union with a few others and being shocked to hear my friend, Tommy Aubry, screaming from the top of the stairs, “They’re Shooting Us! They’re Shooting Us!” We didn’t know what he was talking about. He pointed to the only television set in the Union and ran past us to shout the news to others.

We didn’t believe it at first. Who would? They must have shot over their heads. It had to be an accident. Surely no one was actually dead. It was too fantastic to comprehend... until we had to. The truth of it was horrible. It wasn’t enough that we could be sent to Vietnam to die; we could die here.

 

They Could Shoot Us, Too!

I came across a quote by the survivor, Gerald Casale, that summed up a student’s point of view. “It completely and utterly changed my life. I was a white hippie boy and then I saw exit wounds from M1 rifles out of the backs of people I knew...”

Abraham and Isaac Sculpture in Commemoration of the KENT STATE Shootings, at Princeton University

Abraham and Isaac Sculpture in Commemoration of the KENT STATE Shootings, at Princeton University

In an era of embryonic diversity awareness, it was astounding that supposedly the most cherished of us all were now being killed just outside a quiet Midwestern town. Anything could happen next. Casale founded the band Devo, creating music and a movement as a result of his experience.

I have a chapter in my book you can read here that’s based on what happened at the campus I was on. It was not something I had to research. I still remember every second.

Within days after the shootings, the National Guard actually did arrive on my campus, and we thought we were also going to be killed—another chapter, another iconic situation. We were still teenagers and most of us had been pretty sheltered, but now we understood what it must be like for those fighting for civil rights in the south, for anyone living day in and day out in any country at war. It was a sobering lesson. We were truly in what we called "the war at home."

According to the final report on the Kent State Massacre by the President’s Commission on Campus Unrest: “It was unnecessary, unwarranted, inexcusable”—an iconic symbol of the war that caused it.

 

A Coming of Conscience Moment. America Said No!

The subtitle of my novel is “A Coming of Conscience,” because it was a time when we weren’t just growing up and Coming of Age. In addition—by the way we chose or were forced to cope with the situations presented by the Vietnam War—we were each defining our own character. We were each faced with decisions where integrity could—or should—trump consequences (pun intended). Would I go to Vietnam or to Canada?  If I join ROTC (Reserve Officers' Training Corps) am I being realistic or complicit? If I put my head in the sand and try to ignore it all am I being apathetic, cowardly or just understandably self-preserving?

We’re in a period now where we’re questioning our leadership and taking our positions on matters to the streets in massive marches. It’s our right and our privilege, and they don't fire on us—we feel safe. One reason is that on May 4, 1970, the country looked aghast at the bodies of those dead children and decided that this was not who we were. This was not our character. It was a coming-of-conscience moment for the country.

It all reminds me of watching Apocalypse Now, a brilliant film that I admired greatly but could never see a second time. Viewing it made me feel I’d personally been through the war. It told the Heart-of-Darkness story of Colonel Kurtz, who embodied "the horror," as he put it, of how we would actually have to behave to win such a war. In the movie, the government has sent an assassin to eliminate him, because as a people we couldn’t accept that Krutz is what we’d have to become to do what Washington considered so essential—continue as the country that had never lost a war.

With Kent State, the horror rang through every level of America. Is this what it’s come to? We answered, “No.”

 May 4, 2020, will mark the fiftieth anniversary of the massacre. Over the coming years, let’s remember and honor what happened at Kent State. And, in this current moment of dubious facts, incredible re-interpretations of truth and Never Again, let’s think of what else is on the conscience of the country to which we should also be saying, “No, that’s not who we are.”


 
 
 

Remember Kent State, May 4, 1970: An Iconic Moment for a Generation... A Coming of Conscience for a Country

The Iconic Kent State Photo

The Iconic Kent State Photo

Recently, while promoting the fall publication of my novel, The Fourteenth of September, which takes place during the pivotal 1969-1970 years of the Vietnam War, I was asked if—of the many iconic moments in American history that happened during that time period— one had impacted me more than any other.

I paused to consider the word iconic... icon—a symbol. No question. It was the Kent State Massacre, a symbol at the time of the total chasm between the government and the youth it was supposed to be protecting: the bridge too far that blew away most of the remaining support for the war, though it’s death throes dragged on another five years.

 

48 Years and We Still Remember

Every May fourth since 1970 there has been media coverage of the shootings, always featuring the Pulitzer Prize-winning photograph of fourteen-year-old Mary Ann Vecchio with arms outstretched in agony and disbelief, kneeling above the body of twenty-year-old Jeffrey Miller. An iconic image of how we felt. Agony and disbelief. This is America? How had it come to this?

We know the facts: The National Guard fired into a crowd of students protesting the war’s expansion into Cambodia. Sixty-seven rounds over thirteen seconds killing four, wounding nine, permanently paralyzing one. The massive national student strike after. A turning point in how the country viewed the war. It was just too much to kill kids.

 

Early Alternative Facts

It all began with a lie—and it was bald-faced. Nixon was elected because he said he'd end the war—something his predecessor, Johnson, hadn't been able to do. His Administration said we were winding down. Hard as it may be to believe from the vantage point of today, media was limited. We only heard one side and assumed what we were told was true—though obviously that was disavowed later on many levels, most recently in the Ken Burns documentary The Vietnam War.

But, suddenly, on April 30, 1970 it's announced we just bombed Cambodia. It was earth-shattering. The war was being accelerated, not contained. Of course, there were protests; of course they were full of anger; of course those protests would be on campus where the populations of draft-age men were among the largest. We had just been through the roulette of the Draft Lottery and the news about My Lai. Nerves were raw, rage was high.  Above all, trust was waning, and this Cambodia lie just wiped it out. How could we believe anything the government told us ever again?

And then, to top it off, unbelievably, students were shot dead at one of those protests. It was the very definition of a word we were just beginning to use to describe what we thought were mind-expanding experiences: surreal.

 

Where Were You When You Heard?

The Memorial to Jeffrey Miller, Bordering Where He Fell, on the Kent State Campus

The Memorial to Jeffrey Miller, Bordering Where He Fell, on the Kent State Campus

I think many people of my generation can tell you where they were and what they were doing when they first heard about Kent State, just like all the assassinations that punctuated that time—King, the two Kennedys. I remember walking into the Student Union with a few others and being shocked to hear my friend, Tommy Aubry, screaming from the top of the stairs, “They’re Shooting Us! They’re Shooting Us!” We didn’t know what he was talking about. He pointed to the only television set in the Union and ran past us to shout the news to others.

We didn’t believe it at first. Who would? They must have shot over their heads. It had to be an accident. Surely no one was actually dead. It was too fantastic to comprehend... until we had to. The truth of it was horrible. It wasn’t enough that we could be sent to Vietnam to die; we could die here.

 

They Could Shoot Us, Too!

I came across a quote by the survivor, Gerald Casale, that summed up a student’s point of view. “It completely and utterly changed my life. I was a white hippie boy and then I saw exit wounds from M1 rifles out of the backs of people I knew...”

Abraham and Isaac Sculpture in Commemoration of the KENT STATE Shootings, at Princeton University

Abraham and Isaac Sculpture in Commemoration of the KENT STATE Shootings, at Princeton University

In an era of embryonic diversity awareness, it was astounding that supposedly the most cherished of us all were now being killed just outside a quiet Midwestern town. Anything could happen next. Casale founded the band Devo, creating music and a movement as a result of his experience.

I have a chapter in my book you can read here that’s based on what happened at the campus I was on. It was not something I had to research. I still remember every second.

Within days after the shootings, the National Guard actually did arrive on my campus, and we thought we were also going to be killed—another chapter, another iconic situation. We were still teenagers and most of us had been pretty sheltered, but now we understood what it must be like for those fighting for civil rights in the south, for anyone living day in and day out in any country at war. It was a sobering lesson. We were truly in what we called "the war at home."

According to the final report on the Kent State Massacre by the President’s Commission on Campus Unrest: “It was unnecessary, unwarranted, inexcusable”—an iconic symbol of the war that caused it.

 

 

A Coming of Conscience Moment. America Said No!

The subtitle of my novel is “A Coming of Conscience,” because it was a time when we weren’t just growing up and Coming of Age. In addition—by the way we chose or were forced to cope with the situations presented by the Vietnam War—we were each defining our own character. We were each faced with decisions where integrity could—or should—trump consequences (pun intended). Would I go to Vietnam or to Canada?  If I join ROTC (Reserve Officers' Training Corps) am I being realistic or complicit? If I put my head in the sand and try to ignore it all am I being apathetic, cowardly or just understandably self-preserving?

We’re in a period now where we’re questioning our leadership and taking our positions to the streets with massive marches more than ever before. It’s our right and our privilege, and they don't fire on us—we feel safe. One reason is that on May 4, 1970, the country looked aghast at the bodies of those dead children and decided that this was not who we were. This was not our character. It was a coming-of-conscience moment for the country.

It all reminds me of watching Apocalypse Now, a brilliant film that I admired greatly but could never see a second time. Viewing it made me feel I’d personally been through the war. It told the Heart-of-Darkness story of Colonel Kurtz, who embodied "the horror," as he put it, of how we would actually have to behave to win such a war. In the movie, the government has sent an assassin to eliminate him, because as a people we couldn’t accept that Krutz is what we’d have to become to do what Washington considered so essential—continue as the country that had never lost a war.

With Kent State, the horror rang through every level of America. Is this what it’s come to? We answered, “No.”

 May 4, 2020, will mark the fiftieth anniversary of the massacre. Over the coming years, let’s remember and honor what happened at Kent State. And, in this current moment of dubious facts, incredible re-interpretations of truth and Never Again, let’s think of what else is on the conscience of the country to which we should also be saying, “No, that’s not who we are.”

 
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Publication Date: September 18, 2018

Now available for pre-order.

 
 

 
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Hell No, Never Again. We Are All In The Shot Together.

Watching the news on Valentine’s Day about the mass shooting at Marjory Stoneman Douglas High School in Florida, my mind raced back ten years—Valentine’s Day 2008. That year, too, broadcasts broke a story of horror mid-day, shattering a holiday celebrating love. A young man with a shotgun and two pistols had killed five students, injured seventeen and shot himself at my alma mater, Northern Illinois University, in a lecture hall where a few decades earlier I had taken many classes. More than one student in my preferred section of seating didn’t make it. At any random stroke of time one of those casualties could have been me, could have been one of my friends, could have been my second cousin who was a senior at NIU at the time. I wasn’t there, but I was. I was in the shot. It goes without saying the 2008 shooter was mentally unstable. You don’t kill kids if you’re fine. But nine years after Columbine, all I could think of was how did he GET THOSE GUNS? Why did we in a modern society HAVE THOSE GUNS?  From then on I voted with my anger. A pro-gun stance by a candidate was no longer just “on the list,” it was enough to reprioritize a lot of other issues. As an adult, I had standing—the power of a vote. I’d waited a long time for that standing, thought it was enough. Thought, as we said back in the day, the system would work if we were just part of it. Alas…

 

Hell No, We Won’t Go

Back in 2018, I put down the remote, and my mind raced again, back farther to a time when I didn’t have that power, to a time when, like the Florida kids, I didn’t have standing. Those issues of that era propel the characters in my novel, The Fourteenth of September. The details were different, but the essence was the same—a complex issue standing in the way of life for children. In the time of the Vietnam War, another generation were teenagers. The average age of draftees was nineteen; voting age was twenty-one. Life expectancy under fire was measured in seconds. We were being killed, and those who should have protected us—our government, our institution—were mired in what ifs and, as we said, were “part of the problem, not the solution.” Our WWII-era parents were upset but not so much that they were mobilizing to successfully vote out the hawks. At Kent State, legal guns were turned on us. No, not the same as mass school shootings, but we knew what dead kids dropping around us felt like. We knew how the endless series of more and more dead bodies terrified us, whether in a jungle far away or in a school demonstration gone bad. Yep. Got that. It could be me. Or, you right next to me. We were in the shot. Remember?

 

THIS IS BS! … but in good way

Emma Gonzalez: presidential potential some day?

Emma Gonzalez: presidential potential some day?

Today, Emma Gonzalez and David Hogg, and a generation of other young people are also without standing and very much in the shot. Gonzalez, a wonderfully outspoken girl from Marjory Stoneman Douglas called it like she saw it, and she’s right. She cuts through the crap of all the “why not” reasons—"The Domino Theories” of gun control—and gets to the core of how it should be seen—as bullshit!—and I finally feel that real change has a chance. The response of these amazing, angry kids from Florida is so tragically familiar, and wondrously hopeful. 

For the first time in a long time, all the ingredients for real action are in place.

Fear—they’re targets and they’re being killed. Anger—they aren’t being protected by the government and institutions that are there FOR THAT REASON. Disappointment—many parents are trying to vote out the gun guys, but the lobbies are strong and multi-issue voting hasn’t worked. Outrage—those of us with influence have had enough time and sufficient opportunities to do something, and we haven’t. Lack of power—they don’t have the vote. And, it’s personal. They are in the shot.

Abbie Hoffman & david hogg: too good at this? must be Professional instigators or actors really?

Abbie Hoffman & david hogg: too good at this? must be Professional instigators or actors really?

These are the factors that in my day stopped a war. These are the factors that ended racist Jim Crow laws in the South. Today, these are the same factors that can stop guns. These kids are making us understand, with fury and social media, and more than a few tricks from our day. I smiled in solidarity as they walked out on March 14th, and plan to do it again every 14th, just like our Moratoriums Against the War.

Things are already starting to turn. There’s even talk of moving the voting age to sixteen. As Laurence Steinberg said in the New York Times on March 2, “The proposal to lower the voting age is motivated by today’s outrage that those most vulnerable to school shootings have no say in how such atrocities are best prevented.” Sound familiar?

 

 

 

Wild in the Streets or Protesting at the Polls? Our Choice

In 1968 a popular movie  came out called Wild in the Streets. Kids took over. The new President was only twenty-five. People who hit thirty were dosed with LSD, draped in white togas and left to wander through the forest. It was a cautionary tale. Things can get pretty outrageous when you aren’t being listened to. No BS.

I don’t think we should get rid of everyone over thirty, nor am I ready to say the voting age should be sixteen without a lot more thought. But I am here to say that we—the anti-war generation—knows how to do this, and we can help by marching with and voting for these kids, in their place, on their behalf and in every sense of the word.

 

We Can Still Change the World

This all means we can STILL change the world. That rallying call was the obligation of my generation—our noblesse oblige, if you will, for being the first generation living in enough freedom to follow our passion. We knew how to do it—we stopped a war. We lowered the voting age to eighteen. We didn’t think we could do it, but we did.

These kids can stop the mass shooting war raging around them. But without standing, they need our help. This is a time for marching and voting.

Be their proxy. This week and beyond vote for candidates who know where guns belong—and where they don’t. Join the students in the streets on March 24th. Join them anytime on social media. With all of us standing for and beside them, even the NRA can stand down. And the world will change.