The Fourteenth of September
A Coming of Conscience Novel
Status: Currently Seeking Representation/Publication
A female recruit, in college on a military scholarship during the Vietnam conflict, has been having doubts about the war. She goes undercover into the campus counterculture, risking future and family as she's torn between heart and duty and finally forced to make a choice as fateful as that of any draftee.
Not All Battlefields Are On The Front
The Fourteenth of September filters a pivotal time frame for an entire generation through the rare perspective of a young woman, tracing her “coming of conscience” between the first Vietnam Draft Lottery and Kent State—an era that, at least on the surface, still belonged to men.
On September 14, 1969, Private First Class Judy Talton celebrates her nineteenth birthday by surreptitiously joining the campus antiwar movement. In doing so she puts in jeopardy both the hard-won army scholarship that’s the ticket to her future, and her relationship with her military family, in particular her mother, a former WW II nurse. But since the Vietnam War escalated from the Tet Offensive to My Lai, Judy’s been having doubts. If the war is wrong, does her scholarship make her complicit? Who is she if she stays in the army? What is she if she leaves?
When the first date pulled in the Draft Lottery turns up as her birthday, she realizes that if she’d been a man, she’d have been a Number One—off to war with an under-fire life expectancy of six seconds, just like her new friend Wil. The stakes become clear, and she has to make a choice as fateful—and final—as his decision to go to war or dodge the draft.
As Judy plunges deeper into her double life, her choice gets murkier. The campus begins to mirror the hell of war. The close relationships she’s made with her new friends are challenged as the women try to help the guys cope with the prospect of being drafted. The drugs once used to laugh and expand their minds have now become the kind that junkies use. The drug dealer Sharp is everywhere. There is a suicide attempt, a near arrest, a secret death, increasing alienation from family, even government spies. On top of everything, the Kent State massacre shatters the campus into infighting factions and riots, to the point where the right intentions lose their way. Judy learns to agree with Pete, her ROTC friend, that “picking sides isn’t all that clean.” All the while, the danger escalates: If the army finds out she’s protesting, she could be prosecuted. If the movement finds out, they’ll think she’s a spy.
Judy’s journey of self discovery towards a life-changing choice poses a female dilemma with the emotional intensity of the draftee’s decision to go to war, or to Canada. Or, as if Tim O’Brien, in the “On the Rainy River” chapter of The Things They Carried, had been a woman.
Nearly fifty years after Kent State, The Fourteenth of September looks back at the ethics of unwinnable wars, examining questions that now enliven next-generation youth activism. The novel speaks to the poignant clash of young adulthood, early feminism and world politics, offering an ageless inquiry into the domestic politics of protest when the world stops making sense.
In The Zeitgeist
The events of The Fourteenth of September are in the public eye, with new books out covering the ‘60s, as well as the countdown to the 50th anniversary of Woodstock, Kent State and other seminal events of the time.
Songs featured in The Fourteenth of September
Tim O'Brien, “On the Rainy River” from The Things They Carried
As it becomes clear the Vietnam War is pointless and unwinnable, the protagonist in “On the Rainy River” gets his draft notice and must make a crucial decision. Will he escape to Canada, or go and fight? Either choice involves tremendous loss and fundamental issues of conscience.
Shirley Jackson, The Lottery
Members of an unnamed town in an unnamed place gather for a deadly, annual ritual. There is criteria for selection, but no reason why.
What Others Are Saying
“The Fourteenth of September is a compelling, original book and a great read. It’s at once transporting to an incredible moment in recent history – the anti-Vietnam era of 1969-1970—and still distinctly modern, telling the story of a young woman finding her independence, her voice and her place in the world. The author puts us squarely inside the head of Judy from the first page, and it is an unpredictable, emotional and gripping ride through the end. The more you read, the more complex and interesting each character becomes, evolving from a gaggle of seemingly typical college students to a collection of fully-formed, deeply human and truly unique individuals. This is a terrific book for anyone who enjoys American history, women’s lit … or simply a great story.”
–– Josh Lohrius, author of The Breaking of Goody Boothe
“Rita Dragonette’s novel, The Fourteenth of September, reveals what I have known for a long while—that she is a writer of great talent and integrity who infuses this debut work with an energy and vision that lifts it far beyond the ordinary coming of age story. This is an important book, not to be missed.”
–– Gary D. Wilson, author of Getting Right and Sing, Ronnie Blue
“In The Fourteenth of September, Rita Dragonette transports readers to a college campus in the late ‘60s where youth across America questioned the status quo and flunking out meant front lines. When Judy intentionally crosses the Tune Room in her faded jeans, she isn’t merely joining those who claim to rebel against authority for the collective good. Her journey represents the complexity of every generation’s timeless effort to align conscience with action. Dragonette’s debut novel, neither idealistic nor fatalistic, offers the unique perspective of a young woman facing her own private rebellion.”
–– Elizabeth Wheeler, author of The Asher Trilogy
“Set in the months before and after the 1969 draft lottery, Rita Dragonette’s The Fourteenth of September tells the powerful story of Judy Talton, a young woman who must decide whether to risk her military nursing scholarship to protest the Vietnam War, which she has become convinced is morally wrong. Dragonette brilliantly depicts how the urgency of political commitment complicates the self-absorption of adolescence, the intense bonds of family, friendship and love—often with devastating consequences. This is not only a novel for those of us who look back and marvel at the profound decisions we were called upon to make when we were so young, but for a whole new generation facing the crucial questions of a turbulent, changing world that will define them.”
–– Barbara Shoup, author of Looking for Jack Kerouac, An American Tune, Night Watch, Faithful Women, Wish You Were Here, Vermeer’s Daughter, Stranded in Harmony and Everything You Want.
“Rita Dragonette's debut novel gracefully and magnificently arcs the full distance between the deeply personal and the global. In its depiction of a seminal point in the history of our country – the deep divide over the Vietnam War that provided the backdrop for the seismic shift at the end of 1960's – her story paints a sharp portrayal of a place and time, while artfully tackling questions of universal significance: at what point must we find our own voice and speak up? How do we determine what is meaningful action and what is not? And how to we measure the need to act versus a personal cost to ourselves? In a novel that gathers momentum with each page, Rita Dragonette has given us a work of recent historical fiction with profound relevance for today.”
–– Barbara Monier, author of You, In Your Green Shirt and A Little Birdie Told Me