Thank You: The Fourteenth of September Is Off to a Great Start

The Fourteenth of September debuted this fall and has become a well-reviewed, award-winning and reader success, poised for a second printing as I write this. The three+ month launch period was a whirlwind, with nearly twenty events, parties, salons and speaking engagements, from New York to California, DeKalb IL to Chicago. Click for details on awards, reviews, media coverage and more photos from events and salons.

This wouldn't have been possible without my very valued "village" of salonnieres, event sponsors, bookstores and the incredible interest and support of friends and associates from all aspects of my life — close and extended, past and present. I thank you all. Your support has been overwhelming.

It’s all still going strong into 2019 with an audiobook, speaking/reading events, salons and lots of interest from book clubs, which is very exciting. I've also begun a second novel, set in San Miguel de Allende, where I'm going in February for research, and will dive into seriously in March, when I’ll spend a month at Ragdale, my treasured writer's retreat. I admit to being a bit bleary-eyed at the pace of all of this, with an as-yet-to-be fulfilled resolution to achieve the ever-elusive work/life “balance.” LOL

I appreciate you all being part of my journey. I hope to keep it interesting. Meanwhile, I adore each one of these smiling faces. You’ll be seeing more in future posts.

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It’s PUBLICATION DAY for The Fourteenth of September: Let’s Make It Memorable

I have to admit this is an exciting day. This story’s been on a long journey—from actual experiences decades ago, to in my head for what seems even longer, to the drawn-out writing process which took twelve years, and the always bumpy road to publication. This book has gestated long enough to be a monster, and sometimes it’s felt like that. It’s more than time this baby was born. And I can’t wait to share it with you. Please help me make it a success.

So Far So Great

It’s coming out on a high tide after lots of belly-to-belly marketing, as you may have noticed. (I hope you aren’t too sick of my face in that headshot or—egads!—the cover of the book.) I put a lot of irons in the fire early on, not really knowing what would click, and I’ve been gratified by the pre-publication reception to The Fourteenth of September. Pre-orders are strong (thanks to so many of you), reviews have been favorable, media coverage abundant, and the book has even done well in early awards competitions.

“. . . a moving tribute to lives altered by chance.”

— Foreword Clarion Reviews

“Dragonette shows us what we can be, both in our best and our worst.”

— Windy City Times Reviews

The Fourteenth of September (Official Trailer - Short Version) from Rita Dragonette on Vimeo.

Take a 30 second peek

Read or Listen

There’s even more going on now that the book is out in the world. In addition to paperback and ebook formats, the audiobook is now available on Amazon, narrated by actress Marissa DuBois, who had a blast juggling the various character voices in the book’s large cast. Check out what she has to say in her video, and take a listen to a three-minute excerpt via SoundCloud. And, if it really puts you in the spirit, check out the soundtrack, full of the circa 1969-70 tunes that punctuate the action of the story.

The Fourteenth of September – Audio Book Promo from Rita Dragonette on Vimeo.

“This is a book that book clubs can sink their teeth into: It will provoke intense discussion across generations, between mothers and daughters, neighbors on both sides of the political spectrum, men as well as women.”

— Jacquelyn Mitchard

Read Together

Above all, The Fourteenth of September is a discussion book, with a multitude of topics to fuel any interest. And, its appeal is cross audience. Certainly, those of you who were around during the 1969-70 time of the novel will approach it from the vantage point of experience, but as historical fiction, its story of a young woman coming of age and conscience during wartime is appealing to all audiences. Check out the new Official Book Club Guide, including discussion questions by best-selling novelist Jacquelyn Mitchard. Please consider it as a selection for your book club and feel free to refer it to others.

Share What You Think

I thank all of you for your support throughout the process of bringing this book to fruition, and I hope you’ll help me take it over the finish line by sharing and spreading the word. In particular, I’m hoping you’ll be sufficiently intrigued to read the story of Judy Blue Eyes in The Fourteenth of September and, once you do, post a review on Amazon and Goodreads. There’s simply nothing that helps more to give a book momentum.

Help Me Make a Difference

The tag line of The Fourteenth of September is “A Coming of Conscience.” That defines Judy’s journey in the book—when integrity trumps consequences. But it also resonates as a call to action even today.

In that spirit, I am initiating a social-giving campaign as part of the launch of The Fourteenth of September to encourage young people to engage in meaningful activism and bold personal responsibility as they continue their education.

The initial iteration of this program will fund a Coming of Conscience Scholarship for a student at Northern Illinois University, the real-life inspiration for the fictional university in The Fourteenth of September. The scholarship will be awarded to a student who best demonstrates their understanding of what a Coming of Conscience means, and their plan for how they will use whatever degree they choose to help change the world in whatever way their beliefs guide them.

To help fund this up-to $10,000 scholarship, I ask you to either share a post on the program, a photo of your copy of The Fourteenth of September, or a thirty-second video of your personal Coming of Conscience (or one you’d like to see) across your social media channels, using the hashtag #ComingofConscience. Or, all three for triple the exposure and funding. See all program details here.

“Coming of Conscience—a character-defining personal decision or action where integrity trumps consequences.”

Celebrate with Me

I’d love to hear from you—about what you thought of the book, what memories or thoughts it conjures up, what your Coming of Conscience experiences have been, or how you think we can amplify that program. Or, just to say hi and stay in touch. If anyone will be in or visiting Chicago on October 24, please join me at my Book Launch Party at Women and Children First bookstore, at 7 p.m. We can take a photo of ourselves with the book to post on the spot and also make a lasting memory.

I can’t thank you enough for your support and hope we can continue. I have three more books keyed up, and I’m looking forward to to telling you about them.

Lovely Rita

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Cover Reveal: First Peek at the Final Book, Counting Down to September 18 Pub Date

I’m quite excited to introduce the cover design for The Fourteenth of September, the novel I’ve worked on for so many years. I have to admit, it’s pretty thrilling to see it come to life, and I AM palpitating more than a bit…

I must say, the journey to this final cover has been a surprisingly challenging process. I probably should have known this, coming out of over 25 years in marketing. Looking back, when the cover is done it seems so obvious, like the title. However, after years of wrestling this complex story into a narrative, and naming it (thank you, Gary Wilson), and now again having to digest it all into a single image with the power to instantly engage the reader who would most love, enjoy, and relate to it? Well, that clearly required a specific eye and expertise far different from anything I’d done before. 

I knew the cover design would belong in the bailiwick of the publisher. And yet, I kept trying to envision it. I pestered early readers and designer friends about what they thought. I was both excited and full of trepidation as I handed over this book, my baby, with a leap of faith that the publisher would find the perfect image. I soon found myself, irony of ironies after all those agency years, as …the CLIENT… of those who knew far more than I about the type and images that are most alluring, that will still pop in thumbprint size in Amazon. In short, who knew way more than I could imagine. I was happy to defer. My publisher, She Writes Press, began work in November.

BACKGROUND ONLY. THEN: AUTHOR, GET OUT OF THE WAY

Fortunately, rather than have to figure it out myself, I was asked only to share my thoughts and any preliminary ideas I may have had. Fun as this was, it also underlined how formidable the task. I soon realized that, just like with the manuscript, it would be so easy to tip the balance and make this look like fan fiction for a Peter Fonda movie or, worse, a full-out Full Metal Jacket/Apocalypse Now story of men at war in-country, instead of a woman’s story, on campus. The cover needed the gravitas and familiarity of recognizable Vietnam imagery, but not the male combat or psychedelic ’60s assumption.

I was worried about the crowded field of iconography: helicopters, soldiers in a jungle with rifles. All very masculine and, to tell the truth, overdone. I struggled to make a list of what to eliminate for consideration: imagery that was hackneyed (a peace sign? please), just as I wrestled in the manuscript with dialogue for my characters. I couldn’t have everyone say “Hey, man,” even though in real life they actually did. And not everyone could have a musical name, like my protagonist, “Judy Blue Eyes,” but some could. Above all, we had to steer clear of the ’60s flower-power, fat Peter Max lettering. The war was not a “happening.” Balance was key, or there was danger the cover could send a completely wrong message about the actual subject of the book.

An Idea in Vogue

In December, based upon the roughest hint of a thought from me about flowers in a National Guard gun, the crack design team at She Writes Press was inspired by, of all things, a 1945 issue of Vogue magazine that ran on V-E Day with a beautiful, impressionistic illustration of pastel flowers seeming to grow out of the bayonet of a rifle. I was immediately taken by the surprisingly feminine image of war and felt it perfectly depicted the woman's point-of-view message of my story.

They added the period-specific typography used on a draft card circa the 1969 timing of the novel, and creatively stacked the words “September,” “Fourteenth,” and “Dragonette,” all with virtually the same number of letters, as if I’d chosen them intentionally for that purpose. There was some concern that the “feel” was too ’40s, and we experimented through January and early February with more era-specific images, but the impressionistic illustration won out. Women have always been a vital part of any war. This cover would work. The design was approved and final art was underway. I had a terrific story idea to pitch to Vogue lined up, merchandising ideas identified, and, significantly, we had time to spare in the publishing cycle.

Love and Ruin

GREG samata, eighth-grade boyfriend

I was totally in love with my cover. But then, to show that the road to great ideas is rocky, indeed, though the image was on a site offering it as available for licensing, it required an unanticipated “extra” layer of approval from the estate of the original artist. Though that illustration had been commissioned originally by a newsstand magazine, the estate felt that its use on the cover of a book for sale, was too “commercial.” (I can't even show it here). At the eleventh hour, permission was denied and we were back to square one, but worse…by now it was March, and we were facing an immediate deadline to get advanced review copies published in time to ensure critical reviews and long-lead publicity.

A collaboration began where both She Writes and I scrambled to tap our resources. Though my luck was running badly, my life remained charmed in at least one key area. My eighth-grade boyfriend (true story), Greg Samata, is a world-class graphic designer. When I went to him for advice, over tomato soup at Beatrix, he vaporized my stress and told me (as he did with my website) that he would handle it, not to worry. The publisher agreed.

PAUL sahre, illustrator

Greg called his friend, renowned illustrator Paul Sahre, to render the original idea into a ’60s-specific depiction and add his genius. The She Writes design team then took over to incorporate it beautifully into their original, elegant design and add mysterious but wonderful finishing touches to ensure optimum reproduction in any medium, as well as made room to include a wonderful blurb from best-selling author Jacquelyn Mitchard. Finally, She Writes held the presses, and we were able to include quotes from late-breaking Kirkus and Foreword Clarion reviews, along with additional blurbs from authors Peter Golden and Barbara Shoup, to polish off the back cover. Within two weeks we were back in business and on deadline, if under the wire. My great thanks to the entire expanded team. My nerves have yet to completely settle, but I’m in love again.

Better Than Vogue

Despite my affection for the original illustration, I must say the final cover is better. It’s a beautiful and provocative image of the feminine flowers of peace growing out of the hard metal of war, the conflict of Judy’s coming-of-conscience decision that will define her for the rest of her life. I’ll be curious to hear what you think.

Available Now for Pre-Order

The novel is now available for pre-order on Amazon, Barnes & Noble, IndieBound, and Apple iBooks for delivery on the publication date of September 18.

To celebrate the launch of the book, there will be a series of events in Chicago and New York. If you’re in either of these cities, save-the-date invitations are forthcoming, and I hope you’ll join me in person and get the book at one of the parties so I can sign it for you. Or, pre-order and bring it with you. I’d love to celebrate with you live.

If you’re elsewhere, I’d encourage you to order as early as possible. All pre-orders will be recorded on the drop date of September 18, and the more I have, the higher my “best of" numbers will be on the various sites—and the greater will be the interest in publishing my next book (yes, there is one, more on that later.) This way you’ll all be both enjoying the book (fingers crossed) and supporting my new writing career.

Thanks for being with me on this journey. I can’t tell you how much I appreciate it.

Lovely, Rita*

*Even better than Judy Blue Eyes

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